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Behind the lady who is bringing in the eggs is the under-under-nurse who is at the fire warming a towel. In the foreground we have the regulation midwife holding the regulation baby (who, by the way, was an astonishingly fine child for only five minutes old). Then comes the under-nurse--a good buxom creature, who, as usual, is feeling the water in the bath to see that it is of the right temperature. Next to her is the head-nurse, who is arranging the cradle. Behind the head-nurse is the under-under-nurse's drudge, who is just going out upon some errands. Lastly--for by this time we have got all round the chapel--we arrive at the Virgin's grandmother's-bodyguard, a stately, responsible-looking lady, standing in waiting upon her mistress. I put it to the reader--is it conceivable that St. Joachim should have been allowed in such a room at such a time, or that he should have had the courage to avail himself of the permission, even though it had been extended to him? At any rate, is it conceivable that he should have been allowed to sit on St. Anne's right hand, laying down the law with a "Marry, come up here," and a "Marry, go-down there," and a couple of such unabashed collars as the old lady has put on for the occasion?

It is astonishing how many of the Catacomb decorations are taken from heathen sources and copied from heathen paintings; yet we need not wonder when we reflect that the vine was used by the early Christians as an emblem of gladness, and it was scarcely possible for them to celebrate the Feast of the Nativity--a festival of glad tidings--without some sort of _Bacchanalia_. Thus it appears that even beneath the palaces and temples of pagan Rome the birth of Christ was celebrated, this early undermining of paganism by Christianity being, as it were, the germ of the final victory, and the secret praise, which came like muffled music from the Catacombs in honour of the Nativity, the prelude to the triumph-song in which they shall unite who receive from Christ the unwithering crown.


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