|
|
Anciata Directory 08
Page 01
At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist.
Italy has been in all ages renowned for its beauty and fertility. The lofty ranges of the Apennines, and the seas which bathe its shores on both sides, contribute at once to temper and vary its climate, so as to adapt it for the productions alike of the temperate and the warmest parts of Europe. In the plains on either side of the Apennines corn is produced in abundance; olives flourish on the southern slopes of the mountains; and the vine is cultivated in every part of the peninsula, the vineyards of northern Campania being the most celebrated in antiquity.
|
