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Anciata Directory 08
At first Dutch art was influenced, even confounded, with that of Flanders. The Van Eycks led the way, and painters like Bouts and others, though Dutch by birth, became Flemish by adoption in their art at least. When the Flemish painters fell to copying Italy some of the Dutch followed them, but with no great enthusiasm. Suddenly, at the beginning of the seventeenth century, when Holland had gained political independence, Dutch art struck off by itself, became original, became famous. It pictured native life with verve, skill, keenness of insight, and fine pictorial view. Limited it was; it never soared like Italian art, never became universal or world-embracing. It was distinct, individual, national, something that spoke for Holland, but little beyond it.
"If you will freely admit that this may not be great," I said, "I am on your side. I do not mind your saying, 'This touches me with interest and delight; but it is not to be reckoned among the lords of the garden.' What I object to is your saying, 'This is great and eternal.' I feel that I should be able to respond to the great poet, if he flashed out among us; but he must be great, and especially in a time when there really is a quantity of very beautiful verse. I suspect that perhaps this time is one that will furnish a very beautiful anthology. There are many people alive who have written perhaps half a dozen exquisite lyrics, when the spring and the soaring thought and the vision and the beautiful word all suddenly conspired together. But there is no great, wide, large, tender heart at work. No, I won't even say that; but is there any great spirit who has all that and a supreme word-power as well? I believe that there is more poetry, more love of beauty, more emotion in the world than ever; and a great many men and women are living their poetry who just can't write it or sing it."
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