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Anciata Directory 07
Page 03
We crossed two streamlets flowing west. Benedicto and Filippe were in such a bad way that it was breaking my heart to look at them. Every time they fell down in a faint I never knew whether it was for the last time that they had closed their eyes. When I felt their hearts with my hand they beat so faintly that once or twice I really thought they were dead. That day I myself fainted, and fell with the left side of my face resting on the ground. When I recovered consciousness some time later, I touched my face, which was hurting me, and found that nearly the whole skin of my cheek had been eaten up by small ants, the lower lid of the eye having suffered particularly. A nasty sore remained on my face for some two months after that experience, the bites of those ants being very poisonous.
The whole academic tendency of modern painting in Germany and Austria for the past fifty years has not been favorable to the best kind of pictorial art. There is a disposition on the part of artists to tell stories, to encroach upon the sentiment of literature, to paint with a dry brush in harsh unsympathetic colors, to ignore relations of light-and-shade, and to slur beauties of form. The subject seems to count for more than the truth of representation, or the individuality of view. From time to time artists of much ability have appeared, but these form an exception rather than a rule. The men to-day who are the great artists of Germany are less followers of the German tradition than individuals each working in a style peculiar to himself. A few only of them call for mention. Menzel (1815-1905) is easily first, a painter of group pictures, a good colorist, and a powerful pen-and-ink draughtsman; Lenbach (1836-1904), a forceful portraitist; Uhde (1848-), a portrayer of scriptural scenes in modern costumes with much sincerity, good color, and light; Leibl (1844-1900), an artist with something of the Holbein touch and realism; Thoma, a Frankfort painter of decorative friezes and panels; Liebermann, Gotthardt Kuehl, Franz Stuck, Max Klinger, Greiner, Truebner, Bartels, Keller.
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