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The old king now having given up his kingdom to his eldest daughters, they managed, by artifice and maneuvering, to get every thing else away from him, so that he became wholly dependent upon them, and had to live with them by turns. This was not all; for, at the instigation of their husbands, they put so many indignities and affronts upon him, that his life at length became an intolerable burden, and finally he was compelled to leave the realm altogether, and in his destitution and distress he went for refuge and protection to his rejected daughter Cordiella. She received her father with the greatest alacrity and affection. She raised an army to restore him to his rights, and went in person with him to England to assist him in recovering them. She was successful. The old king took possession of his throne again, and reigned in peace for the remainder of his days. The story is of itself nothing very remarkable, though Shakspeare has immortalized it by making it the subject of one of his tragedies.

Marius continued his executions and massacres until the whole of Sylla's party had been slain or put to flight. He made every effort to discover Sylla's wife and child, with a view to destroying them also, but they could not be found. Some friends of Sylla, taking compassion on their innocence and helplessness, concealed them, and thus saved Marius from the commission of one intended crime. Marius was disappointed, too, in some other cases, where men whom he had intended to kill destroyed themselves to baffle his vengeance. One shut himself up in a room with burning charcoal, and was suffocated with the fumes. Another bled himself to death upon a public altar, calling down the judgments of the god to whom he offered this dreadful sacrifice, upon the head of the tyrant whose atrocious cruelty he was thus attempting to evade.


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